Turn to Clear View by keyboardist and producer Joe Armon-Jones is a defining landmark of the contemporary South London jazz movement, seamlessly fusing virtuoso jazz improvisation with deep UK sound system culture. The album sounds vibrant, heavy, and richly textured, driven by Armon-Jones's soulful, expansive Fender Rhodes and acoustic piano lines. Beneath the soaring keyboards lies a relentless, bass-heavy foundation that draws heavily from dub, broken beat, neo-soul, and hip-hop, anchored by Moses Boyd’s crisp, polyrhythmic drumming and Mutale Chashi’s driving basslines. Tracks like "Yellow Shoes" and "I've Got Benefit" showcase a warm, analog richness that feels both raw and immaculate, balancing high-energy club grooves with lush, cinematic arrangements to create a sound that is unmistakably modern, earthy, and forward-thinking.
Turn to Clear View by keyboardist and producer Joe Armon-Jones is a defining landmark of the contemporary South London jazz movement, seamlessly fusing virtuoso jazz improvisation with deep UK sound system culture. The album sounds vibrant, heavy, and richly textured, driven by Armon-Jones's soulful, expansive Fender Rhodes and acoustic piano lines. Beneath the soaring keyboards lies a relentless, bass-heavy foundation that draws heavily from dub, broken beat, neo-soul, and hip-hop, anchored by Moses Boyd’s crisp, polyrhythmic drumming and Mutale Chashi’s driving basslines. Tracks like "Yellow Shoes" and "I've Got Benefit" showcase a warm, analog richness that feels both raw and immaculate, balancing high-energy club grooves with lush, cinematic arrangements to create a sound that is unmistakably modern, earthy, and forward-thinking.