Mayales’ 1997 debut album Svima želim raj za sve is a landmark of Croatian acid jazz, funk, and soulful pop, drenched in a warm, late-90s urban vibe. Driven by founder Petar Beluhan’s smooth vision and Valerija Nikolovska’s powerhouse, gospel-drenched lead vocals, the album's sound signature revolves around infectious dance floor grooves, breezy horn section stabs, and lush keyboard textures. Dynamic Fender Rhodes electric piano chords, bubbling funk basslines, and crisp, syncopated drum kit rhythms blend effortlessly with subtle Latin percussion, subtle wah-wah guitar licks, and smooth lounge-jazz atmospheric touches. The overall production is bright, organic, and sophisticated, capturing a sunny, carefree European groove that leans heavily into retro-70s soul while maintaining a slick 90s acid-jazz polish. Tracks like "Mogu i sama" and the vibrant title-track showcase this irresistible audio signature: stylish, rhythm-heavy, and packed with irresistible musical joy.
Mayales’ 1997 debut album Svima želim raj za sve is a landmark of Croatian acid jazz, funk, and soulful pop, drenched in a warm, late-90s urban vibe. Driven by founder Petar Beluhan’s smooth vision and Valerija Nikolovska’s powerhouse, gospel-drenched lead vocals, the album's sound signature revolves around infectious dance floor grooves, breezy horn section stabs, and lush keyboard textures. Dynamic Fender Rhodes electric piano chords, bubbling funk basslines, and crisp, syncopated drum kit rhythms blend effortlessly with subtle Latin percussion, subtle wah-wah guitar licks, and smooth lounge-jazz atmospheric touches. The overall production is bright, organic, and sophisticated, capturing a sunny, carefree European groove that leans heavily into retro-70s soul while maintaining a slick 90s acid-jazz polish. Tracks like "Mogu i sama" and the vibrant title-track showcase this irresistible audio signature: stylish, rhythm-heavy, and packed with irresistible musical joy.